MEMORIA - Death calls the islands - Misantrof ANTIRecords 2011 -

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<iframe id="share-facebook" src=";layout=box_count&amp;show_faces=false&amp;width=50&amp;action=like&amp;colorscheme=light&amp;height=65" scrolling="no" frameborder="0" /> <span style="font-weight: bold;">MEMORIA : DEATH CALLS THE ISLANDS
Misantrof ANTIRecords 9. October 2011</span>

<span style="font-weight: bold;">Australian blackened metal act</span> <span style="font-weight: bold;">MEMORIA</span> have today released their third full-length album, entitled <span style="font-weight: bold;">Death Calls The Islands</span>, via <span style="font-weight: bold;">Misantrof ANTIRecords</span>. In keeping with the Misantrof philosophy, the album will be available both as a free, high quality MP3 download and in physical format as a CD, which can be purchased from the Misantrof website.

The band describes <span style="font-weight: bold;">Death Calls The Islands</span> as a guitar-driven album that is simultaneously beautiful and ugly. Following the 2008 experimental noise album <span style="font-weight: bold;">Memorioquia : Auradeutung</span>, <span style="font-weight: bold;">MEMORIA</span> have prioritised the heavier aspect of their sound, and <span style="font-weight: bold;">Death Calls The Islands</span> is a stunning, moving mix of black metal, death metal and classical guitar traditions.

Founding member Jonathan Carroll (guitars, vocals, sound design, synthesiser) say of the release: I see this album as the very unique product of immersing ourselves in European underground music, letting these influences exist in our minds and then creating without trying to emulate anyone or anything. <span style="font-weight: bold;">MEMORIA</span> draw on a vast range of influences, from <span style="font-weight: bold;">EMPEROR, ULVER, DHG</span> and <span style="font-weight: bold;">MINISTRY </span>to the sound designs of <span style="font-weight: bold;">DAVID LYNCH</span> and the modernist fiction of <span style="font-weight: bold;">CORMAC MCARTHY</span>.

The abstract, surreal lyrical content of <span style="font-weight: bold;">Death Calls The Islands</span> deals with isolation and alienation, themes which also find themselves manifested in the unique album artwork. Created by Australian artwork <span style="font-weight: bold;">Danielle Freakley</span> from moulded octopus tentacles, the piece represents the strange beauty and ugliness that reside within us as human beings, and the primal world from which we are not too far removed.

The partnership with <span style="font-weight: bold;">Misantrof ANTIRecords</span>, founded in 2007 by <span style="font-weight: bold;">Daniel Vrangsinn (VRANGSINN, CARPATHIAN FOREST, SECHT etc.)</span> was a logical one for <span style="font-weight: bold;">MEMORIA</span>. Given that the band is experienced in producing its own material, the Misantrof approach of letting the bands have full creative control of their own work proved to be a great fit. To be part of an evolving, independent artistic entity such as Misantrof fits perfectly with our values and was not a hard decision, says Jonathan, We create music because we love this art form and no one in<span style="font-weight: bold;"> MEMORIA</span> wanted this tainted by the nastiness of financial or commercial considerations. Misantrof surpasses pathetic considerations about how to sell things that are genuinely different. For his part, Vrangsinn is extremely pleased to be releasing <span style="font-weight: bold;">Death Calls The Islands</span>, and has high hopes that it will be received with as much acclaim as the 2010 breakaway Misantrof release, <span style="font-weight: bold;">Death Reclaims The Earth</span>, by Turkish black metallers <span style="font-weight: bold;">EPISODE 13</span>.

The MP3 and CD versions of <span style="font-weight: bold;">Death Calls The Islands</span> are available via Misantrof at

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License: CC BY-NC-ND 3.0 <div class="clear-left" />
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