Norah Jones - Little Broken Hearts (Eac Flac Cue)

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Norah Jones - Little Broken Hearts



Artist: Norah Jones

Album: Little Broken Hearts
Genre: Pop, Adult Contemporary
Label: Blue Note / EMI Records
Language: English
Release Date: Expected on May 01, 2012
Number of Tracks: 12
Total Length: 00:44:55


Extractor: Exact Audio Copy V1.0 beta 3 
Used drive  : HL-DT-STDVDRAM GSA-E10L 
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Codec: Flac 1.2.1;  Level 8  
Single File.flac, Eac.log, 
File.cue Multiple wav file with Gaps (Noncompliant)
Size Torrent: 242 Mb
Covers

Track List

01. Good Morning  
02. Say Goodbye  
03. Little Broken Hearts  
04. She's 22  
05. Take It Back  
06. After The Fall  
07. 4 Broken Hearts  
08. Travelin' On  
09. Out On The Road  
10. Happy Pills  
11. Miriam  
12. All A Dream 


Listen to Sample

http://www.amazon.com/gp/recsradio/radio/B00723NWJE/ref=pd_krex_dp_a


review

Norah Jones may have named her breakout jazz/folk debut Come Away With Me but we're thinking that title may be even more appropriate -- at least stylistically -- when it comes to the more alt/pop edge of her new album Little Broken Hearts (May 1, Blue Note). Jones clearly wants to move beyond the sultry balladry that made her a platinum sensation a decade ago (prompting the inevitable "Snorah" backlash) with songs like "Don't Know Why", but will her fans decide to come away with her as well this time? Lyrically, Little Broken Hearts is often directed at the end of a romantic relationship but it's also about new beginnings and stepping beyond perceptions, whether they be from a lost lover or an expectant fan. Her 2009 album The Fall began her move toward the indie art/pop territory and Hearts, a collaboration in sound and style with noted producer Brian "Danger Mouse" Burton, puts her more firmly in a more experimental, slightly edgy mood. It's not a daring, turn-the-tables kind of statement but it's certainly unlike anything she's done before. And maybe that, in itself, is a good thing...

More than a few moments on LBH are reminiscent of the reverbed, twang-infested spaghetti-western atmosphere of her Rome project with Burton and Italian scorer Daniele Luppi while other songs -- like "Happy Pills" have a distinctively retro pop feel, often processing and compressing Jones' naturally warm, velvety vocals into a thinner, more brittle tone. It's an aural shake-up that takes some time to get used to but we were frankly a little surprised how well it actually works once you leave out how you think it's supposed to sound out of the equation. One of the best examples is "Travelin' On", a lovely slow dance that matches Jones' airy vocals with a dangling jangle of a guitar line and the soft environs of stringed chamber pop. Some songs work better than others, and at a few points we found ourselves doing an initial head scratch. But listening to an artist, particularly one we admire, in a more untethered and adventurous mood can be as rewarding as it is something of a challenge. "Come away"? Sure. We're in.
Cover/front.jpg 539.597 KB
Cover/cd.jpg 24.7 KB
Cover/back.jpg 14.445 KB
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