[24/96] Nazareth - Greatest Hits - 1975, Vinyl Rip

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Nazareth - Greatest Hits - 1975
VERTIGO, STEMRA, 6370 411, Original UK Pressing
LP, Vinyl Rip, 24/96, FLAC (tracks+.cue)
01 - Razamanaz (03:50)
 02 - Holy Roller (03:24)
 03 - Shanghai'd In Shanghai (03:44)
 04 - Love Hurts (03:53)
 05 - Turn On Your Reciever (03:20)
 06 - Bad Bad Boy (03:57)
Side 2
07 - This Flight Tonight (03:23)
 08 - Broken Down Angel (03:42)
 09 - Hair Of The Dog (03:19)
 10 - Sunshine (03:48)
 11 - My White Bicycle (03:32)
 12 - Woke Up This Morning (03:51) 
Bass ΓÇô Pete Agnew
 Drums ΓÇô Darrell Sweet
 Guitar ΓÇô Manny Charlton
 Vocals ΓÇô Dan McCafferty
Mastered By ΓÇô John Punter
 Photography By ΓÇô Chuck Pulin, Colin Mac Donald*
 Producer ΓÇô Manny Charlton (tracks: A2, A4, B3, B5), Roger Glover (tracks: A1, A3, A5 to B2, B4, B6)
 Sleeve, Design, Illustration ΓÇô Petagno III*
Written-By ΓÇô Nazareth (2) (tracks: A1 to A3, A5, A6, B2 to B4, B6)
Information on backcover:
 (P) 1972: B6
 (P) 1973: A1, A5 to B2
 (P) 1974: A3, A4, B4
 (P) 1975: A2, B3, B5 Mountain Records Ltd.
Information on labels:
 Side A: (P) 1973 (1,5,6,) 1974 (3,4) 1975 (2) Mountain Records Ltd.
 Side B: (P) 1973 (1,2,6) 1974 (4) 1975 (3,5) Mountain Records Ltd.
 A1, A3, A5, A6, B2 to B4, B6: Mountain Music Ltd./Carlin Music Corp.
 A2: Naz Songs/Panache Music Ltd.
 A4: Acuff-Rose Music Ltd.
 B1: Warner Bros. Music Ltd.
 B5: Getaway Music (Carlin Music Corp.)
Vinyl Ripping Process/Equipment
 VPI 16.5 RCM
 Turntable: VPI Scoutmaster
 Tonearm: Trans-Fi Termninator
 Cartridge: Audio-Technica AT33PTG/II
 Phone Stage: Cinemag SUT feeding a Marantz 2220B
 Digital Interface: E-MU 1212
 Recording Software: Adobe Audition 3.01
 Recording Bitrate/Sample Rate: 192/24
 Post Processing
 Run thru ClickRepair at level 10 with
 Pitch Protection | off
 Reverse | on
 Resample to 96khz in Izotope Rx2 using the default preset
 Manually listen to album in Adobe Audition cleaning any clicks/anomalies
 Flac with Xrecode II
What Exactly Is An "Ultimate Master"
 It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be
 a lot "similarly" <cough> named rips now I guess I should explain.
 I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the
 source material, it has always been about finding the best source. Now my opinion of the best source is subject to
 change as I experience more variations. Whether or not folks think my rip is "definitive" is irrelevant to me, I just
 try to find the best pressing and don't mind doing the extra clean up that comes with not just ripping new reissues or
 japanese issues. I understand the appeal of these pressings but I don't subscribe to the notion that they represent
 the best source 95% of the time. 
1975 - Nazareth - Greatest Hits (Vertigo, UK Original, 24-96)/1975 - Nazareth - Greatest Hits.cue 1.472 KB
1975 - Nazareth - Greatest Hits (Vertigo, UK Original, 24-96)/A1 - Razamanaz.flac 88.215 MB
1975 - Nazareth - Greatest Hits (Vertigo, UK Original, 24-96)/A2 - Holy Roller.flac 77.071 MB
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Hash 80fc44c9270dc51b549932a0bd17f6f3d7710aab