[24/96] Journey - Escape - 1981, Vinyl Rip

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Journey - Escape - 1981
Columbia - TC 37408, Original US Pressing
LP, Vinyl Rip, 24/96, FLAC (tracks+.cue)
Side 1
 01. "Don't Stop Believin'" 4:11
 02. "Stone in Love" 4:26
 03. "Who's Crying Now" (Cain, Perry) 5:01
 04. "Keep on Runnin'" 3:40
 05. "Still They Ride" 3:50
Side 2
 06. "Escape" 5:17
 07. "Lay It Down" 4:13
 08. "Dead or Alive" 3:21
 09. "Mother, Father" (Matt Schon, Schon, Perry, Cain) 5:29
 10."Open Arms" (Cain, Perry) 3:23 
 Bass, Vocals ΓÇô Ross Valory
 Drums ΓÇô Steve Smith (5)
 Guitar, Vocals ΓÇô Neal Schon
 Keyboards, Guitar, Vocals ΓÇô Jonathan Cain
 Lead Vocals ΓÇô Steve Perry
 Artwork By [Illustration] ΓÇô Stanley Mouse
 Artwork By [Visual Concepts, Package Design], Photography ΓÇô Jim Welch
 Engineer [Assistant] ΓÇô Wally Buck
 Mastered By ΓÇô Bob Ludwig
 Producer ΓÇô Kevin Elson, Mike Stone
 Written-By ΓÇô J. Cain*, N.Schon* (tracks: A1, A2, A4 to B4), S. Perry*
Title also known as E5C4P3
 Mastered at Masterdisk, Inc., New York
 Recorded and Mixed at Fantasy Studios, Berkeley, California
All songs by S. Perry, N. Schon and J Cain, except "Who's Crying Now" and "Open Arms" by S. Perry and J. Cain, and "Mother, Father" by N. Schon, S. Perry, J Cain and M. Schon.
 For all songs:
 ©1981 Weed High Nightmare Music (BMI)
 All administrative rights controlled by Screen Gems - EMI Music Inc.
 All rights reserved, Used by permission.
Vinyl Ripping Process/Equipment
 VPI 16.5 RCM
 Turntable: VPI Scoutmaster
 Tonearm: Trans-Fi Termninator
 Cartridge: Audio-Technica AT33PTG/II
 Phone Stage: Cinemag SUT feeding a Marantz 2220B
 Digital Interface: E-MU 1212
 Recording Software: Adobe Audition 3.01
 Recording Bitrate/Sample Rate: 192/24
 Post Processing
 Run thru ClickRepair at level 10 with
 Pitch Protection | off
 Reverse | on
 Resample to 96khz in Izotope Rx2 using the default preset
 Manually listen to album in Adobe Audition cleaning any clicks/anomalies
 Flac with Xrecode II
What Exactly Is An "Ultimate Master"
 It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be a lot "similarly" <cough> named rips now I guess I should explain.
 I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the source material, it has always been about finding the best source. Now my opinion of the best source is subject to change as I experience more variations. Whether or not folks think my rip is "definitive" is irrelevant to me, I just try to find the best pressing and don't mind doing the extra clean up that comes with not just ripping new reissues or japanese issues. I understand the appeal of these pressings but I don't subscribe to the notion that they represent the best source 95% of the time.
1981 - Journey - Escape (Columbia US Original, 24-96)/B1 - Escape.flac 125.369 MB
1981 - Journey - Escape (Columbia US Original, 24-96)/B4 - Mother, Father.flac 124.522 MB
1981 - Journey - Escape (Columbia US Original, 24-96)/A3 - Who's Crying Now.flac 111.505 MB
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Hash 1198e36c0241add35084dcbce4fa97c363a63ced

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