Chopin - Arrau Heritage - Claudio Arrau

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[b][color=green][u] FREDERIC CHOPIN (1810-1849)[/u][/b][/color]\r\n\r\n\r\n[b][color=blue]ARRAU HERITAGE[/b]\r\n\r\n\r\n[b][/color][color=red]CLAUDIO ARRAU \r\n\r\n[/b][/color]\r\n\r\n[b][color=red]::->COVER<-::[/b][/color]\r\n\r\n\r\n[IMG]image[/IMG]\r\n\r\n\r\n[b][color=red]::->DATI ALBUM<-::[/color][/b]\r\n\r\n\r\n[b]Autore:[/b] Frederic Chopin\r\n[b]Titolo:[/b] Arrau Heritage\r\n[b]Genere:[/b] Musica Classica\r\n[b]Anno:[/b] 1953\r\n[b]Etichetta:[/b] Philips\r\n[b]Esecutori:[/b] Claudio Arrau\r\n\r\n\r\n[b][color=red]::->TRACKLIST<-::[/color][/b]\r\n\r\n\r\n \r\nDisc: 1\r\n01. Preludes (24) for piano, Op. 28, CT. 166-189: No. 1 en ut majeur – in C\r\n02. Preludes (24) for piano, Op. 28, CT. 166-189: No. 2 en la mineur – in A minor\r\n03. Preludes (24) for piano, Op. 28, CT. 166-189: No. 3 en sol majeur – in G\r\n04. Preludes (24) for piano, Op. 28, CT. 166-189: No. 4 en mi mineur – in E minor\r\n05. Preludes (24) for piano, Op. 28, CT. 166-189: No. 5 en ré majeur – in D\r\n06. Preludes (24) for piano, Op. 28, CT. 166-189: No. 6 en si mineur – in B minor\r\n07. Preludes (24) for piano, Op. 28, CT. 166-189: No. 7 en la majeur – in A\r\n08. Preludes (24) for piano, Op. 28, CT. 166-189: No. 8 en fa dièse mineur – in C sharp minor\r\n09. Preludes (24) for piano, Op. 28, CT. 166-189: No. 9 en mi majeur – in E\r\n10. Preludes (24) for piano, Op. 28, CT. 166-189: No. 10 en ut dièse mineur – in C sharp minor\r\n11. Preludes (24) for piano, Op. 28, CT. 166-189: No. 11 en si majeur – in E\r\n12. Preludes (24) for piano, Op. 28, CT. 166-189: No. 12 en sol dièse mineur – in G sharp minor\r\n13. Preludes (24) for piano, Op. 28, CT. 166-189: No. 13 en fa dièse majeur – in F sharp\r\n14. Preludes (24) for piano, Op. 28, CT. 166-189: No. 14 en mi bémol mineur – in E flat minor\r\n15. Preludes (24) for piano, Op. 28, CT. 166-189: No. 15 en ré bémol majeur – in D flat\r\n16. Preludes (24) for piano, Op. 28, CT. 166-189: No. 16 en si bémol mineur – in B flat minor\r\n17. Preludes (24) for piano, Op. 28, CT. 166-189: No. 17 en la bémol majeur – in A flat\r\n18. Preludes (24) for piano, Op. 28, CT. 166-189: No. 18 en fa mineur – in F minor\r\n19. Preludes (24) for piano, Op. 28, CT. 166-189: No. 19 – en mi bémol majeur – in E flat\r\n20. Preludes (24) for piano, Op. 28, CT. 166-189: No. 20 en ut mineur – in C minor\r\n21. Preludes (24) for piano, Op. 28, CT. 166-189: No. 21 en si bémol majeur – in B flat\r\n22. Preludes (24) for piano, Op. 28, CT. 166-189: No. 22 en sol mineur – in G minor\r\n23. Preludes (24) for piano, Op. 28, CT. 166-189: No. 23 en fa majeur – in F\r\n24. Preludes (24) for piano, Op. 28, CT. 166-189: No. 24 en ré mineur – in D minor\r\n25. Impromptu for piano in A flat major, Op. 29, CT. 43\r\n26. Impromptu for piano in F sharp major, Op. 36, CT. 44\r\n27. Impromptu for piano in G flat major, Op. 51, CT. 45\r\n28. Fantasy-Impromptu for piano in C sharp minor, Op. 66, CT. 46\r\n29. Rondo à la krakowiak for piano & orchestra in F major, Op. 14, CT. 194\r\n\r\nDisc: 2\r\n01. Waltz for piano No. 1 in E flat major, Op. 18, CT. 207\r\n02. Waltz for piano No. 2 in A flat major, Op. 34/1, CT. 208\r\n03. Waltz for piano No. 3 in A minor, Op. 34/2, CT. 209\r\n04. Waltz for piano No. 4 in F major, Op. 34/3, CT. 210\r\n05. Waltz for piano No. 5 in A flat major, Op. 42, CT. 211\r\n06. Waltz for piano No. 6 in D flat major (‘Minute’), Op. 64/1, CT. 212\r\n07. Waltz for piano No. 7 in C sharp minor, Op. 64/2, CT. 213\r\n08. Waltz for piano No. 8 in A flat major, Op. 64/3, CT. 214\r\n09. Waltz for piano No. 9 in A flat major (‘L’adieu’) Op. 69/1, CT. 215\r\n10. Waltz for piano No. 10 in B minor, Op. 69/2, CT. 216\r\n11. Waltz for piano No. 11 in G flat major, Op. 70/1, CT. 217\r\n12. Waltz for piano No. 12 in F minor, Op. 70/2, CT. 218\r\n13. Waltz for piano No. 13 in D flat major, Op. 70/3, CT. 219\r\n14. Waltz for piano in A flat major, KK IVa/13, CT. 221 (B. 21)\r\n15. Waltz for piano in E minor, KK IVa/15, CT. 222 (B. 56)\r\n16. Waltz for piano in E flat major (spurious), KK IVa/14 (B. 46)\r\n17. Waltz for piano in E major, KK IVa/12, CT. 220 (B. 44)\r\n18. Waltz for piano in E flat major, KK IVb/10, CT. 223\r\n19. Waltz for piano in E flat major (spurious), KK IVa/14 (B. 46)\r\n20. Prelude for piano No. 25 in C sharp minor, Op. 45, CT. 190\r\n21. Prelude for piano No. 26 in A flat major (‘Presto con leggierezza’), KK IVb/7, CT. 191 (B. 86)\r\n\r\nDisc: 3\r\n01. Scherzo for piano No. 1 in B minor, Op. 20, CT. 197\r\n02. Scherzo for piano No. 2 in B flat minor, Op. 31, CT. 198\r\n03. Scherzo for piano No. 3 in C sharp minor, Op. 39, CT. 199\r\n04. Scherzo for piano No. 4 in E major, Op. 54, CT. 200\r\n05. Ballade for piano No. 1 in G minor, Op. 23, CT. 2\r\n06. Ballade for piano No. 2 in F major, Op. 38, CT. 3\r\n07. Ballade for piano No. 3 in A flat major, Op. 47, CT. 4\r\n08. Ballade for piano No. 4 in F minor, Op. 52, CT. 5\r\n\r\nDisc: 4\r\n01. Barcarolle for piano in F sharp major, Op. 60, CT. 6\r\n02. Fantasy on Polish Airs for piano & orchestra in A major, Op. 13, CT. 41\r\n03. Nocturne for piano No. 1 in B flat minor, Op. 9/1, CT. 108\r\n04. Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109\r\n05. Nocturne for piano No. 3 in B major, Op. 9/3, CT. 110\r\n06. Nocturne for piano No. 4 in F major, Op. 15/1, CT. 111\r\n07. Nocturne for piano No. 5 in F sharp major, Op. 15/2, CT. 112\r\n08. Nocturne for piano No. 6 in G minor, Op. 15/3, CT. 113\r\n09. Nocturne for piano No. 7 in C sharp minor, Op. 27/1, CT. 114\r\n10. Nocturne for piano No. 8 in D flat major, Op. 27/2, CT. 115\r\n11. Nocturne for piano No. 9 in B major, Op. 32/1, CT. 116\r\n12. Nocturne for piano No. 10 in A flat major, Op. 32/2, CT. 117\r\n\r\nDisc: 5\r\n01. Nocturne for piano No. 11 in G minor, Op. 37/1, CT. 118\r\n02. Nocturne for piano No. 12 in G major, Op. 37/2, CT. 119\r\n03. Nocturne for piano No. 13 in C minor, Op. 48/1, CT. 120\r\n04. Nocturne for piano No. 14 in F sharp minor, Op. 48/2, CT. 121\r\n05. Nocturne for piano No. 15 in F minor, Op. 55/1, CT. 122\r\n06. Nocturne for piano No. 16 in E flat major, Op. 55/2, CT. 123\r\n07. Nocturne for piano No. 17 in B major, Op. 62/1, CT. 124\r\n08. Nocturne for piano No. 18 in E major, Op. 62/2, CT. 125\r\n09. Nocturne for piano No. 19 in E minor, Op. 72/1, CT. 126\r\n10. Nocturne for piano No. 20 in C sharp minor, KK IVa/16, CT. 127 (B. 49)\r\n11. Nocturne for piano in C minor, KK IVb/8, CT. 128 (B. 108)\r\n12. Polonaise-fantasy for piano No. 7 in A flat major, Op. 61, CT. 156\r\n\r\nDisc: 6\r\n01. Piano Concerto No. 1 in E minor, Op. 11, CT. 47: 1. Allegro maestoso\r\n02. Piano Concerto No. 1 in E minor, Op. 11, CT. 47: 2. Romance: Larghetto\r\n03. Piano Concerto No. 1 in E minor, Op. 11, CT. 47: 3. Rondo: Vivace\r\n04. Andante spianato and Grande Polonaise for piano & orchestra, Op. 22\r\n05. Variations on ‘La ci darem’ from Mozart’s Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225\r\n\r\nDisc: 7\r\n01. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: 1. Maestoso\r\n02. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: 2. Larghetto\r\n03. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: 3. Allegro vivace\r\n04. Fantasy for piano in F minor/A flat major, Op. 49, C. 42\r\n05. Impromptu for piano in A flat major, Op. 29, CT. 43\r\n06. Impromptu for piano in F sharp major, Op. 36, CT. 44\r\n07. Impromptu for piano in G flat major, Op. 51, CT. 45\r\n08. Fantasy-Impromptu for piano in C sharp minor, Op. 66, CT. 46\r\n09. Barcarolle for piano in F sharp major, Op. 60, CT. 6\r\n\r\nDisc: 8\r\n01. Scherzo for piano No. 1 in B minor, Op. 20, CT. 197\r\n02. Scherzo for piano No. 2 in B flat minor, Op. 31, CT. 198\r\n03. Scherzo for piano No. 3 in C sharp minor, Op. 39, CT. 199\r\n04. Scherzo for piano No. 4 in E major, Op. 54, CT. 200\r\n05. Ballade for piano No. 1 in G minor, Op. 23, CT. 2\r\n06. Ballade for piano No. 2 in F major, Op. 38, CT. 3\r\n07. Ballade for piano No. 3 in A flat major, Op. 47, CT. 4\r\n08. Ballade for piano No. 4 in F minor, Op. 52, CT. 5 \r\n\r\n\r\n[b][color=red]::->BIOGRAFIA DI CLAUDIO ARRAU<-::[/color][/b]\r\n\r\n\r\n[IMG]image[/IMG]\r\n\r\n\r\nClaudio Arrau León (Chillán, 6 febbraio 1903 – Mürzzuschlag, 9 giugno 1991) è stato un pianista cileno allievo del maestro Martin Krause. È considerato uno dei maggiori interpreti del XX secolo.\r\nArrau riceve le prime lezioni di pianoforte dalla madre, pianista dilettante, ed esordisce all'età di cinque anni. Grazie a una borsa di studio concessa eccezionalmente dal parlamento può recarsi in Europa per studiare e perfezionarsi. Dal 1912 è a Berlino ove frequenta il conservatorio Stern sotto la guida di Martin Krause (a sua volta allievo di Franz Liszt). Negli anni della formazione ebbe la possibilità di ascoltare numerosi pianisti che vivevano a Berlino in quegli anni: Busoni, Schnabel, Fischer, Lhevinne, che influenzarono la sua vena artistica, e il coetaneo Vladimir Horowitz, che Arrau vide in un concerto e dal quale fu profondamente impressionato.\r\nNel 1927 vince il concorso internazionale di Ginevra e inizia la carriera concertistica. Fino al 1940 accumula un repertorio di eccezionale vastità comprendente tutta l'opera per tastiera di Bach (eseguita tra il 1935 e il 1936 in una serie di 12 concerti alla Meistersaal di Berlino) e ampie parti delle opere di Ludwig van Beethoven, Schubert, Mozart, Chopin, Schumann, Brahms, Liszt, ma non escludendo nemmeno Busoni, Balakirev, Cajkovskij, Debussy, Ravel, Albéniz, Granados e Stravinsky. All'epoca il suo repertorio includeva inoltre una sessantina di concerti per pianoforte e orchestra.\r\nL'Arrau quarantenne decise di concentrare le sue attenzioni di interprete su Beethoven, Schumann, Chopin, Liszt, Brahms. Spiccano in questa lista le assenze di Mozart, Schubert, Bach (Arrau riteneva che la sua musica per tastiera fosse meglio resa con gli strumenti per i quali fu composta: clavicembalo e organo). Attivo fino a tarda età, nella seconda metà degli anni settanta ritornò in modo inatteso su Debussy e più tardi su Mozart (incisione integrale delle sonate) e su Schubert (\"il problema ultimo dell'interpretazione\", come soleva dire). Al momento della sua morte stava lavorando a una incisione integrale dell'opera per tastiera di Bach, cinquantacinque anni dopo la storica integrale di Berlino.\r\nPianista dotato di totale controllo tecnico dello strumento, tendeva a dissimulare il suo grande virtuosismo adottando spesso tempi sensibilmente più lenti del normale, per mettere in evidenza la nitidezza del suono e del contenuto musicale. Meticoloso studioso della partitura, nutrì sempre un profondo rispetto del segno così come era stato scritto dal compositore, e le sue esecuzioni, analitiche, rispecchiano ciò in maniera esemplare. Ciò è evidente soprattutto nelle sonate di Beethoven. Di Mozart in tarda età offrì una lettura prettamente dolce, apollinea, teneramente limpida delle sonate. Saggi esemplari del suo controllo virtuosistico, infallibile eppure misurato, rimangono le sue incisioni dei concerti di Brahms e le sue incisioni di Liszt, in particolare la Sonata in si minore (notevole sia tecnicamente sia per visione culturale), i 12 studi trascendentali e alcune fantasie su brani d'opera.\r\n\r\n\r\n\r\n[b][color=red]::->DATI TECNICI E NOTE<-::[/color][/b]\r\n[color=green]\r\n[b]  8 CD IN FORMATO APE+CUE\r\nCOVERS E BOOKLET INCLUSI\r\n[/color]\r\n\r\n[/b]\r\n\r\n\r\n[b]TNTVILLAGE.SCAMBIOETICO.ORG[/b]
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