Size 842.924 MB 0 seeders Added 2012-10-13 23:51:42
AC/DC ΓÇÄ- Powerage (1978) - 2003 Sony / Epic, Columbia ΓÇô 5107621, Europe, Germany LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman Side 1 01 - Rock 'n' Roll Damnation (03:36) 02 - Down Payment Blues (06:01) 03 - Gimme a Bullet (03:20) 04 - Riff Raff (05:11) Side 2 05 - Sin City (04:43) 06 - What's Next to the Moon (03:30) 07 - Gone Shootin' (05:03) 08 - Up to My Neck in You (04:12) 09 - Kicked in the Teeth (03:55) Credits Personnel Bon Scott ΓÇô lead vocals Angus Young ΓÇô lead guitar Malcolm Young ΓÇô rhythm guitar, backing vocals Cliff Williams ΓÇô bass, backing vocals Phil Rudd ΓÇô drums Production Producers: Harry Vanda, George Young Engineer: Mark Opitz Notes All songs written and composed by Angus Young, Malcolm Young and Bon Scott. Remastered, 2003 reissue, 180gram BIEM /GEMA Barcode and Other Identifiers Barcode: 5099751076216 Technical Informations Hannl"limited" Record Cleaning Machine with Rotating Brush Music Hall MMF 9.1 Turntable Tonearm Pro-Ject 9cc Evo with Pure Silver Wires Nagaoka MP-500 Brocksieper Phonomax (Tube Phono-PreAmp) E-MU 0404 external USB 2.0 Audiointerface Silent Wire NF 5 Wavelab 6.1 recording software iZotope RX Advanced 2.0 Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal analyze (no clipping, no DC Bias offset) > split into individual Tracks > resampling and dither to 24/96 with iZotope RX Advanced > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post- processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.
|1978 - AC DC - Powerage.jpg||173.021 KB|
|A1 - Rock 'n' Roll Damnation.flac||79.799 MB|
|A2 - Down Payment Blues.flac||123.509 MB|