[24/96] AC/DC ‎- Powerage (1978) - 2003, Vinyl Rip

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AC/DC ΓÇÄ- Powerage (1978) - 2003

Sony / Epic, Columbia ΓÇô 5107621, Europe, Germany

LP, Vinyl Rip, 24/96, FLAC (tracks+.cue)

Rip by aksman

Side 1

 01 - Rock 'n' Roll Damnation (03:36)
 02 - Down Payment Blues (06:01)
 03 - Gimme a Bullet (03:20)
 04 - Riff Raff (05:11)

Side 2

 05 - Sin City (04:43)
 06 - What's Next to the Moon (03:30)
 07 - Gone Shootin' (05:03)
 08 - Up to My Neck in You (04:12)
 09 - Kicked in the Teeth (03:55) 



 Bon Scott ΓÇô lead vocals
 Angus Young ΓÇô lead guitar
 Malcolm Young ΓÇô rhythm guitar, backing vocals
 Cliff Williams ΓÇô bass, backing vocals
 Phil Rudd ΓÇô drums


 Producers: Harry Vanda, George Young
 Engineer: Mark Opitz


All songs written and composed by Angus Young, Malcolm Young and Bon Scott.

Remastered, 2003 reissue, 180gram


Barcode and Other Identifiers

Barcode: 5099751076216

Technical Informations

Hannl"limited" Record Cleaning Machine with Rotating Brush
 Music Hall MMF 9.1 Turntable
 Tonearm Pro-Ject 9cc Evo with Pure Silver Wires
 Nagaoka MP-500
 Brocksieper Phonomax (Tube Phono-PreAmp)
 E-MU 0404 external USB 2.0 Audiointerface
 Silent Wire NF 5
 Wavelab 6.1 recording software
 iZotope RX Advanced 2.0

Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal
 analyze (no clipping, no DC Bias offset) > split into individual Tracks
 > resampling and dither to 24/96 with iZotope RX Advanced > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.

Personal Note (from aksman)

With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-
 processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do
 an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant
 ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the
 process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records
 recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In
 some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria,
 which is IMO quite high.
1978 - AC DC - Powerage.jpg 173.021 KB
A1 - Rock 'n' Roll Damnation.flac 79.799 MB
A2 - Down Payment Blues.flac 123.509 MB
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Hash D1CE209EEB1E6397FC0182BE80CDEC1975E14308