[24/96] AC/DC - The Razors Edge (1990) - 2003, Vinyl Rip

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AC/DC - The Razors Edge (1990) - 2003

Epic - E 80213 / AL 80213, USA

LP, Vinyl Rip, 24/96, FLAC (tracks+.cue)

Rip by aksman

Side A

 01. "Thunderstruck" 4:52
 02. "Fire Your Guns" 2:53
 03. "Moneytalks" 3:45
 04. "The Razors Edge" 4:22
 05. "Mistress for Christmas" 3:59
 06. "Rock Your Heart Out" 4:06

Side B

 07. "Are You Ready" 4:10
 08. "Got You by the Balls" 4:30
 09. "Shot of Love" 3:56
 10. "Let's Make It" 3:32
 11. "Goodbye & Good Riddance to Bad Luck" 3:13
 12. "If You Dare" 3:18

All songs written and composed by Angus Young and Malcolm Young. 

Personnel

 Brian Johnson ΓÇô lead vocals
 Angus Young ΓÇô lead guitar
 Malcolm Young ΓÇô rhythm guitar, backing vocals
 Cliff Williams ΓÇô bass, backing vocals
 Chris Slade ΓÇô drums, percussion

Mastered by George Marino @ Sterling Sound, NYC

Barcode and Other IdentifiersΓû╝

Barcode: 696998021310

Technical Informations

Hannl"limited" Record Cleaning Machine with Rotating Brush
 Music Hall MMF 9.1 Turntable
 Tonearm Pro-Ject 9cc Evo with Pure Silver Wires
 Nagaoka MP-500
 Brocksieper Phonomax (Tube Phono-PreAmp)
 E-MU 0404 external USB 2.0 Audiointerface
 Silent Wire NF 5
 Wavelab 6.1 recording software
 iZotope RX Advanced 2.0

Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal
 analyze (no clipping, no DC Bias offset) > split into individual Tracks
 > resampling and dither to 24/96 with iZotope RX Advanced > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.

Personal Note (from aksman)

 With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound
 improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM,
 which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is
 not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings
 or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases
 this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.
1990 - AC DC - The Razors Edge.jpg 198.259 KB
A1 - Thunderstruck.flac 108.708 MB
A2 - Fire Your Gun.flac 68.373 MB
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Hash CD189D01CBC9B711AD538A00D3AD827289C09DF7

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