Size 1.04 GB 1 seeders Added 2012-10-25 01:52:18
AC/DC - The Razors Edge (1990) - 2003 Epic - E 80213 / AL 80213, USA LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman Side A 01. "Thunderstruck" 4:52 02. "Fire Your Guns" 2:53 03. "Moneytalks" 3:45 04. "The Razors Edge" 4:22 05. "Mistress for Christmas" 3:59 06. "Rock Your Heart Out" 4:06 Side B 07. "Are You Ready" 4:10 08. "Got You by the Balls" 4:30 09. "Shot of Love" 3:56 10. "Let's Make It" 3:32 11. "Goodbye & Good Riddance to Bad Luck" 3:13 12. "If You Dare" 3:18 All songs written and composed by Angus Young and Malcolm Young. Personnel Brian Johnson ΓÇô lead vocals Angus Young ΓÇô lead guitar Malcolm Young ΓÇô rhythm guitar, backing vocals Cliff Williams ΓÇô bass, backing vocals Chris Slade ΓÇô drums, percussion Mastered by George Marino @ Sterling Sound, NYC Barcode and Other IdentifiersΓû╝ Barcode: 696998021310 Technical Informations Hannl"limited" Record Cleaning Machine with Rotating Brush Music Hall MMF 9.1 Turntable Tonearm Pro-Ject 9cc Evo with Pure Silver Wires Nagaoka MP-500 Brocksieper Phonomax (Tube Phono-PreAmp) E-MU 0404 external USB 2.0 Audiointerface Silent Wire NF 5 Wavelab 6.1 recording software iZotope RX Advanced 2.0 Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal analyze (no clipping, no DC Bias offset) > split into individual Tracks > resampling and dither to 24/96 with iZotope RX Advanced > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.
|1990 - AC DC - The Razors Edge.jpg||198.259 KB|
|A1 - Thunderstruck.flac||108.708 MB|
|A2 - Fire Your Gun.flac||68.373 MB|