Size 393.501 MB 3 seeders Added 2012-10-25 23:51:41
AC/DC - Live At River Plate - 2011 limited 7" release for Record Store Day 2011 / Cat.# 88697 86711 7 Mastered by George Marino @ Sterling Sound, NYC EP, Vinyl Rip in 24/192, FLAC (tracks+.cue) Rip by aksman Tracklist A - Shoot To Thrill 5:53 Written-By ΓÇô A. Young*, B. Johnson*, M. Young* B - War Machine 3:33 Written-By ΓÇô A. Young*, M. Young* Credits Bass Guitar ΓÇô Cliff Williams Design ΓÇô Dave Bett* Drums ΓÇô Phil Rudd Lead Guitar ΓÇô Angus Young Mastered By ΓÇô George Marino Photography By ΓÇô C. Taylor Crothers Recorded By, Mixed By ΓÇô Mike Fraser Rhythm Guitar ΓÇô Malcolm Young Vocals ΓÇô Brian Johnson Barcode and Other Identifiers Barcode: 886978671172 Matrix Number (Run-out Side A): 88697867117 BB32165-01 A1 HL Matrix Number (Run-out Side B): 88697867117 BB32165-01 B1 HL Other (Label Code): LC00162 Other (Rights Societies): BIEM/GEMA Technical Log RCM Hannl 'limited' with "Rotating Brush" Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 WaveLab 6 recording software iZotope RX Advanced 2.00 for resampling and dithering Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal > analyze (no clipping, no DC Bias offset) > resampling and dithering with iZotope RX Advanced 2.00 > split into individual Tracks > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.
|A - Shoot to Thrill.flac||241.575 MB|
|AC DC - Live at River Plate.cue||338 B|
|AC DC - Live at River Plate.m3u||48 B|