[24/96] Dave Brubeck - Time Further Out - 1961, Vinyl Rip

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The Dave Brubeck Quartet - Time Further Out. Miro Reflections (1961) - 2011

Columbia - CS 8490, Impex Rec. - IMP6002-1, USA

LP, Vinyl Rip, 24/96, FLAC (tracks+.cue)

Rip by aksman

Side 1

 A1 - It's A Raggy Waltz 5:15
 A2 - Bluette 5:23
 A3 - Charles Matthew Hallelujah 2:52
 A4 - Far More Blue 4:38

Side 2

 B1 - Far More Drums 4:00
 B2 - Maori Blues 3:55
 B3 - Unsquare Dance 2:02
 B4 - Bru's Boogie Woogie 2:26
 B5 - Blue Shadows In The Street 6:33

All pieces were composed by Dave Brubeck 

 Credits

 Bass - Eugene Wright
 Drums - Joe Morello
 Piano - Dave Brubeck
 Saxophone - Paul Desmond

 Artwork By [Cover Painting] - Joan Miro
 Mastered by George Marino @ Sterling Sound; NY

Notes

 Reissue by Impex Records
 Serial No. x/3000 on cover (not shown on image)

Technical Informations

 Hannl"limited" Record Cleaning Machine with Rotating Brush
 Music Hall MMF 9.1 Turntable
 Tonearm Pro-Ject 9cc Evo with Pure Silver Wires
 Nagaoka MP-500
 Brocksieper Phonomax (Tube Phono-PreAmp)
 E-MU 0404 external USB 2.0 Audiointerface
 Silent Wire NF 5
 Wavelab 6.1 recording software
 iZotope RX Advanced for 16-bit/44.1kHz conversion

 Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal
 analyze (no clipping, no DC Bias offset) > resampling and dithering to 24/96 with iZotope RX Advanced >
 split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.

Personal Note (from aksman)

 With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.
1961 - The Dave Brubeck Quartet - Time Further Out.jpg 94.297 KB
A1 - It's a Raggy Waltz.flac 115.494 MB
A2 - Bluette.flac 109.46 MB
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