Size 788.14 MB 6 seeders Added 2012-12-15 22:52:10
The Dave Brubeck Quartet - Time Further Out. Miro Reflections (1961) - 2011 Columbia - CS 8490, Impex Rec. - IMP6002-1, USA LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman Side 1 A1 - It's A Raggy Waltz 5:15 A2 - Bluette 5:23 A3 - Charles Matthew Hallelujah 2:52 A4 - Far More Blue 4:38 Side 2 B1 - Far More Drums 4:00 B2 - Maori Blues 3:55 B3 - Unsquare Dance 2:02 B4 - Bru's Boogie Woogie 2:26 B5 - Blue Shadows In The Street 6:33 All pieces were composed by Dave Brubeck Credits Bass - Eugene Wright Drums - Joe Morello Piano - Dave Brubeck Saxophone - Paul Desmond Artwork By [Cover Painting] - Joan Miro Mastered by George Marino @ Sterling Sound; NY Notes Reissue by Impex Records Serial No. x/3000 on cover (not shown on image) Technical Informations Hannl"limited" Record Cleaning Machine with Rotating Brush Music Hall MMF 9.1 Turntable Tonearm Pro-Ject 9cc Evo with Pure Silver Wires Nagaoka MP-500 Brocksieper Phonomax (Tube Phono-PreAmp) E-MU 0404 external USB 2.0 Audiointerface Silent Wire NF 5 Wavelab 6.1 recording software iZotope RX Advanced for 16-bit/44.1kHz conversion Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal analyze (no clipping, no DC Bias offset) > resampling and dithering to 24/96 with iZotope RX Advanced > split into individual Tracks > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.
|1961 - The Dave Brubeck Quartet - Time Further Out.jpg||94.297 KB|
|A1 - It's a Raggy Waltz.flac||115.494 MB|
|A2 - Bluette.flac||109.46 MB|